Archivio
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Desirable Futures
V. 23 N. 2 (2024)Collage of images inspired by “Desirable Futures: Write Me a Letter”. Artist credit: Lara Lookabaugh.
“A starry winter night on Gichigami/Lake Superior”. Image credit: Deondre Smiles.
“To the world's best heart", handwritten by Caitilin McMillan’s mother to remind her to be guided by her heart. Courtesy of: Caitilin McMillan.
“Postcards to(wards) Desirable Futures sent from Gris Gris, Mauritius”. Courtesy of: Neelofer Qadir.
Letter from Alana de Hinojosa’s grandmother to her mother, Evelina “Bebe”. Courtesy of: Alana de Hinojosa.
“Good Luck Troll block print and valentine”. Courtesy of: Elspeth Iralu.
Dr. Donald Deskins Jr. playing football. Image credit: student staff of the 1960 Michiganensian. Courtesy of: Dewitt King.
“Viva! Viva! Palestina!” Artist credit: Noor Momo.
“don't you dare write back!" Artist credit: Sasha Kunzes Smith, courtesy of Sara Smith. -
Themed Section: Indigenous Geographies in the Making and Translations
V. 23 N. 1 (2024)The Mapuche flag spans the Andes during a religious ceremony in a National Reserve in Chile located along the border with Argentina. Image Credit: Bastien Sepúlveda, shared with permission.
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Research Papers
V. 22 N. 6 (2023)Shelter in Place, Housed Neighbour in Trinity Bellwoods Park, June 2021. Image Credit: Jason S. Cipparrone, shared with permission.
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Special Issue: Fugitivity as Method
V. 22 N. 5 (2023)iSimangaliso Wetland Park, South Africa. Image Credit: BY-CC SA-ND Alex Moulton. 2019. -
Special Issue: Heteroactivism, Homonationalism, and National Projects
V. 22 N. 3 (2023)"Abstract Rainbow" by gripso_banana_prune is licensed under CC BY-SA 2.0. 2012.
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Interview, Review Essay and Research Papers
V. 22 N. 2 (2023)Backdam in Wowetta, Guyana. People clearing the forest vegetation to prepare the land for farming. May 2020. Image Credit: BY-CC SA-ND Grace Albert. 2020.
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ACME Editorial, Research Papers, and Forum
V. 22 N. 1 (2023)Graffiti in Boerum Hill, Brooklyn, January 2023. Image Credit: BY-CC SA-ND Jennifer Tang. 2023.
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Research Papers and RGS-IBG ACME Sponsored Keynote
V. 21 N. 6 (2022)Vancouver-based issufication of the Trans Mountain pipeline. Image Credit: BY-CC SA-ND
Karsgaard, Carrie. 2022. -
Preprints
V. 0 N. XX -
Themed Section: Departures, Arrivals, and Encounters: Feminist Understandings of Borders and Human Im/mobilities
V. 22 N. 4 (2023)A vigil in front of Prime Minister Justin Trudeau's constituency office in Papineau, Montreal. April 4, 2023. Image Credit: BY-CC SA-ND Gada Mahrouse. 2023.
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Special Issue: Monumentality, Memoryscapes, and the Politics of Place
V. 21 N. 5 (2022)Robert E. Lee Monument as it stood on July 1, 2020 in Richmond, Virginia, after the Black Lives Matter Protests in response to the police killing of George Floyd. Image Credit: CC BY-SA 4.0 via Wikimedia Commons. Created by Mk17b.
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Research Papers
V. 21 N. 3 (2022)Body map by particpant Shark. Image Credit: BY-CC SA-ND Shark. 2019.
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Special Issue: Ethics in Multispecies Research: Reflections from the Field
V. 21 N. 2 (2022)Blondie, an urban coyote participant in Lauren Van Patter’s research, with his two pups. Greater Toronto Area. Image Credit: BY-CC SA-ND Van Patter, Lauren. 2019.
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Doing Critical GIS
V. 21 N. 4 (2022)Cartographic Acid Trip. Image Credit: BY-CC SA-ND Shelton, Taylor. 2022.
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Various Research Papers, Interventions and Poetry
V. 21 N. 1 (2022)NPR Labs Coverage Map. KUYI 88.1 FM Hopi Radio. (2021). -
Special Issue: Carceral Geographies
V. 20 N. 6 (2021)Design created for legal fund to benefit Houston BLM protesters. Image Credit: BY-CC SA-ND Christian, Jenna. 2021. Please use this link to make a donation to Houston BLM: https://www.blmhtx.org/
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Themed Section: Embodying Controversy Through Pedagogy & Various Research Papers
V. 20 N. 5 (2021)Motif design for the Embodying Controversy Through Pedagogy Workshop. Image Credit: Arun-Pina, Chan. 2018. -
Vol 20, No 4: 2021: Themed Section: From the Margins Within
V. 20 N. 4 (2021)Themed Section: From the Margins Within. Image credit: Parikh, Aparna. 2020. “Insider-Outsider as Process: Drawing as Reflexive Feminist Methodology During Fieldwork.” Cultural Geographies 27(3): 437–52.
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Vol 20, No 3: Themed Section: "Moral Economies" & Various Articles
V. 20 N. 3 (2021)Themed Section: Moral Economies and other research articles and interventions. Image credit: Orbon Alija
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Special Issue: "Anarchist Geographies and Epistemologies of the State"
V. 20 N. 2 (2021)Anarchist geographies and epistemologies of the state. Credit: Erika Castillo Licea
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Vol 20, No 1
V. 20 N. 1 (2021)Cover Image: How can geography learn from the visual language of comics? Photo Credit: "Worlds of vision: Thinking geographically through comics", an academic comic by Juliet J. Fall
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Vol 19, No 3. Special Issue: "Producción Social del Hábitat y Comunes Urbanos"
V. 19 N. 3 (2020)Cooperativa La Fábrica-Movimiento de Ocupantes e Inquilinos, 2013. Autor de la foto: Cecilia Zapata.
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Vol 19, No 2
V. 19 N. 2 (2020)Ruins of the Church destroyed by the War of Castes in Tihosuco, Mexico. Photo Credit: Katarzyna Beilin, 2019.
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Volume 19, No 1
V. 19 N. 1 (2020)Narratives of Displacement Oral History Project Mural. Anti-Eviction Mapping Project Collective. 2016.
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Vol 18, No 6
V. 18 N. 6 (2019)The cover image is taken from Laura Lo Presti’s article ‘Terraqueous necropolitics’ in this issue.
Laura Canali, Il Mediterraneo non è più liquido. E non è più poetico (tr. The Mediterranean Sea is no longer liquid and no more poetic). 2015, digital print.
Source: http://www.limesonline.com/rubrica/il-mediterraneo-non-e-piu-liquido-e-non-e-piu-poetico -
Vol 18, No 5: Special Issue "Slow Violence"
V. 18 N. 5 (2019)Michael Arcega, Pri-Sohn Stick Chart (Map of Isolation Chambers). 2015, bamboo, metal, quartz crystals, 60” x 48” x 3.” Oakland: Johansson Projects.
Our cover image is Michael Arcega’s Pri-Sohn Map (engaged in Thea Quiray Tagle’s article in this collection); it tracks the slow violence of the dispossession and resettlement-through-incarceration for people of color in the 20th and 21st centuries in Bay Area cities.
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Vol 18, No 3
V. 18 N. 3 (2019)Photos by Vanessa Sloan Morgan: [LEFT] Traditional and unceded lands of the Songhees, Esquimalt and WSÁNEĆ peoples in Mystic Vale, Victoria, BC; [TOP RIGHT] Unceded and traditional territories of the Lheidli T'enneh in Prince George looking at the Husky refinery from Cottonwood park; [BOTTOM RIGHT] A parade marcher at the pride parade in Victoria, BC, Canada, 2016.
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Vol 18, No 2
V. 18 N. 2 (2019)"Polarization and Agency", Sorin Cebotari, Franziska Görmar, Martin Graffenberger, Frank Meyer, Melinda Mihály, Sebastian Schulz.
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Vol 18, No 1
V. 18 N. 1 (2019)"Violence on both sides."
Colonial shit and capitalist fuckery contaminating Kumeyaay territory.
(credit: Levi Gahman) -
Vol 17, No 4
V. 17 N. 4 (2018)"Open-pollinated corn and beans, given from one farmer to another." Zisinthe Farm, Ntcheu, Malawi. Photo credit: Katharine Bradley.
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V. 17 N. 3 (2018)
Cover artwork by Lianne Marie Leda Charlie. "tu | drop of water". Tu is Northern Tutchone and means drop of water. Please do not reproduce, copy, or distribute without permission of the artist.
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ACME Preprints (Forthcoming/In Press)
Final versions of papers in the queue for upcoming issues. -
Various Articles
V. 15 N. 2 (2016) -
Themed Section: Translation as Critical Practice | Various Articles
V. 15 N. 1 (2016) -
Themed Section: Critical Political Geography | Various Articles
V. 13 N. 3 (2014) -
Themed Section: The Mediterranean Migration Frontier | Various Articles
V. 13 N. 2 (2014)
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