-
Special Issue: Ethics in Multispecies Research: Reflections from the Field
Vol 21 No 2 (2022)Blondie, an urban coyote participant in Lauren Van Patter’s research, with his two pups. Greater Toronto Area. Image Credit: BY-CC SA-ND Van Patter, Lauren. 2019.
-
Various Research Papers, Interventions and Poetry
Vol 21 No 1 (2022)NPR Labs Coverage Map. KUYI 88.1 FM Hopi Radio. (2021). -
Special Issue: Carceral Geographies
Vol 20 No 6 (2021)Design created for legal fund to benefit Houston BLM protesters. Image Credit: BY-CC SA-ND Christian, Jenna. 2021. Please use this link to make a donation to Houston BLM: https://www.blmhtx.org/
-
Themed Section: Embodying Controversy Through Pedagogy & Various Research Papers
Vol 20 No 5 (2021)Motif design for the Embodying Controversy Through Pedagogy Workshop. Image Credit: Arun-Pina, Chan. 2018. -
Vol 20, No 4: 2021: Themed Section: From the Margins Within
Vol 20 No 4 (2021)Themed Section: From the Margins Within. Image credit: Parikh, Aparna. 2020. “Insider-Outsider as Process: Drawing as Reflexive Feminist Methodology During Fieldwork.” Cultural Geographies 27(3): 437–52.
-
Vol 20, No 3: Themed Section: "Moral Economies" & Various Articles
Vol 20 No 3 (2021)Themed Section: Moral Economies and other research articles and interventions. Image credit: Orbon Alija
-
Special Issue: "Anarchist Geographies and Epistemologies of the State"
Vol 20 No 2 (2021)Anarchist geographies and epistemologies of the state. Credit: Erika Castillo Licea
-
Vol 20, No 1
Vol 20 No 1 (2021)Cover Image: How can geography learn from the visual language of comics? Photo Credit: "Worlds of vision: Thinking geographically through comics", an academic comic by Juliet J. Fall
-
Vol 19, No 3. Special Issue: "Producción Social del Hábitat y Comunes Urbanos"
Vol 19 No 3 (2020)Cooperativa La Fábrica-Movimiento de Ocupantes e Inquilinos, 2013. Autor de la foto: Cecilia Zapata.
-
Vol 19, No 2
Vol 19 No 2 (2020)Ruins of the Church destroyed by the War of Castes in Tihosuco, Mexico. Photo Credit: Katarzyna Beilin, 2019.
-
Volume 19, No 1
Vol 19 No 1 (2020)Narratives of Displacement Oral History Project Mural. Anti-Eviction Mapping Project Collective. 2016.
-
Vol 18, No 6
Vol 18 No 6 (2019)The cover image is taken from Laura Lo Presti’s article ‘Terraqueous necropolitics’ in this issue.
Laura Canali, Il Mediterraneo non è più liquido. E non è più poetico (tr. The Mediterranean Sea is no longer liquid and no more poetic). 2015, digital print.
Source: http://www.limesonline.com/rubrica/il-mediterraneo-non-e-piu-liquido-e-non-e-piu-poetico -
Vol 18, No 5: Special Issue "Slow Violence"
Vol 18 No 5 (2019)Michael Arcega, Pri-Sohn Stick Chart (Map of Isolation Chambers). 2015, bamboo, metal, quartz crystals, 60” x 48” x 3.” Oakland: Johansson Projects.
Our cover image is Michael Arcega’s Pri-Sohn Map (engaged in Thea Quiray Tagle’s article in this collection); it tracks the slow violence of the dispossession and resettlement-through-incarceration for people of color in the 20th and 21st centuries in Bay Area cities.
-
Vol 18, No 3
Vol 18 No 3 (2019)Photos by Vanessa Sloan Morgan: [LEFT] Traditional and unceded lands of the Songhees, Esquimalt and WSÁNEĆ peoples in Mystic Vale, Victoria, BC; [TOP RIGHT] Unceded and traditional territories of the Lheidli T'enneh in Prince George looking at the Husky refinery from Cottonwood park; [BOTTOM RIGHT] A parade marcher at the pride parade in Victoria, BC, Canada, 2016.
-
Vol 18, No 2
Vol 18 No 2 (2019)"Polarization and Agency", Sorin Cebotari, Franziska Görmar, Martin Graffenberger, Frank Meyer, Melinda Mihály, Sebastian Schulz.
-
Vol 18, No 1
Vol 18 No 1 (2019)"Violence on both sides."
Colonial shit and capitalist fuckery contaminating Kumeyaay territory.
(credit: Levi Gahman) -
Vol 17, No 4
Vol 17 No 4 (2018)"Open-pollinated corn and beans, given from one farmer to another." Zisinthe Farm, Ntcheu, Malawi. Photo credit: Katharine Bradley.
-
Vol 17 No 3 (2018)
Cover artwork by Lianne Marie Leda Charlie. "tu | drop of water". Tu is Northern Tutchone and means drop of water. Please do not reproduce, copy, or distribute without permission of the artist.
-
ACME Preprints (Forthcoming/In Press)Final versions of papers in the queue for upcoming issues.