The cover image is taken from Laura Lo Presti’s article ‘Terraqueous necropolitics’ in this issue.

Laura Canali, Il Mediterraneo non è più liquido. E non è più poetico (tr. The Mediterranean Sea is no longer liquid and no more poetic). 2015, digital print.
Source: http://www.limesonline.com/rubrica/il-mediterraneo-non-e-piu-liquido-e-non-e-piu-poetico

Michael Arcega, Pri-Sohn Stick Chart (Map of Isolation Chambers). 2015, bamboo, metal, quartz crystals, 60” x 48” x 3.” Oakland: Johansson Projects.

Our cover image is Michael Arcega’s Pri-Sohn Map (engaged in Thea Quiray Tagle’s article in this collection); it tracks the slow violence of the dispossession and resettlement-through-incarceration for people of color in the 20th and 21st centuries in Bay Area cities.

"Visualizing Eritrea" by Laura Bisaillon

Photos by Vanessa Sloan Morgan: [LEFT] Traditional and unceded lands of the Songhees, Esquimalt and WSÁNEĆ peoples in Mystic Vale, Victoria, BC; [TOP RIGHT] Unceded and traditional territories of the Lheidli T'enneh in Prince George looking at the Husky refinery from Cottonwood park; [BOTTOM RIGHT] A parade marcher at the pride parade in Victoria, BC, Canada, 2016.

"Polarization and Agency", Sorin Cebotari, Franziska Görmar, Martin Graffenberger, Frank Meyer, Melinda Mihály, Sebastian Schulz.

"Violence on both sides."
Colonial shit and capitalist fuckery contaminating Kumeyaay territory.
(credit: Levi Gahman)

"Open-pollinated corn and beans, given from one farmer to another." Zisinthe Farm, Ntcheu, Malawi. Photo credit: Katharine Bradley.

Cover artwork by Lianne Marie Leda Charlie. "tu | drop of water". Tu is Northern Tutchone and means drop of water. Please do not reproduce, copy, or distribute without permission of the artist.

Photo by Cesare di Feliciantonio

cover artwork by Moozhan Ahmadzadegan

cover artwork by Martin Zebracki

Final versions of papers in the queue for upcoming issues.