Submissions
Submission Preparation Checklist
As part of the submission process, authors are required to check off their submission's compliance with all of the following items, and submissions may be returned to authors that do not adhere to these guidelines.-
File Type: ACME heartily accepts rigorously prepared manuscripts of the following types: Research, Interventions, Roundtables, Interviews, Review Essays, Translations, Visuals, Letters, Performances, Podcasts, Creative Works, Editorials, and Tributes/Remembrances.
File Type: Most manuscripts should be submitted in Word (.doc or .docx) format, with limited exceptions for muti-media submissions noted in the “Submission Types” section above (about which, please consult with an ACME editor regarding any questions). For image submissions, see notes on “Figures, Tables, and Illustrations” below.
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Length: Please see list of “Submission Formats” above for specific details on the lengths of different formats. For standard article submissions, manuscripts submitted should not exceed 9,000 words, inclusive of abstract, footnotes, references, and acknowledgements. As a general guideline, editorials, interventions, observations, and review essays tend to be shorter (1,500 to 4,000 words) than theoretical- and empirical-based research papers (minimum 5,000 words).
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Format: Text in manuscripts should be set out in double-spaced, indented (0.5 in. or 1.27cm) paragraphs, with consistent margins (1 in. or 2.47cm). Please use a Times font (e.g. Times, CG Times, Times New Roman), size 12pt. Do not include extra lines between paragraphs. (More on the manuscript details below.)
Title Page: If you are submitting a manuscript for single- or double-blind peer review, you must provide the title of your manuscript along with your name, affiliation, and contact information (including e-mail address) on a separate title page, and which should be uploaded as a Title Page. The title of the paper+ should also be included on the first page of the manuscript (prior to the abstract).
Abstract: Include an abstract of 250 words or less on the first page of the manuscript. Please make sure that this abstract describes the entire paper+ and is not an introduction to the paper+.
Keywords: Include 4-6 keywords for indexing the main topics and themes addressed in your submission
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Language: Reviews of manuscripts are conducted in English, French, Italian, or Spanish. Manuscripts written in other languages may be accepted for review after consultation with the editors.
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Length: Manuscripts submitted should not exceed 9,000 words, inclusive of abstract, footnotes, references, and acknowledgements. As a general guideline, editorials, interventions, observations, and review essays tend to be shorter (1,500 to 4,000 words) than theoretical- and empirical-based research papers (minimum 5,000 words).
Type: Editorials, literature reviews, oundtables, interviews, speculative fiction, letters, remembrances, debates, pictorial essays, poetry, mini-collections on specific topics, interventions, and research papers.
Language: Reviews of manuscripts are conducted in English, French, Italian, or Spanish. Manuscripts written in other languages may be accepted for review after consultation with the editors.
Writing Style: The style that ACME advocates emphasizes clarity, accessibility, and care in writing. Manuscripts are accepted in a wide range of writing styles, e.g. informal, personal, jargonistic, story telling, academic.
Use of Language: Manuscripts must be written in non-sexist, non-racist, non-ableist, anti-cis-heteronormative, inclusive, and anti-oppressionist language.
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Writing Style
ACME advocates clarity, accessibility, and care in writing. Manuscripts are accepted in a wide range of writing styles, e.g. informal, personal, jargonistic, story telling, academic.
Use of Language: Manuscripts must align with the goals of ACME’s Mission Statement.
Quotations: Quotations of less than 40 words should be integrated in the text using quotation marks Quotations of more than 40 words must be indented (left side only) by .5 inches or 1.27cm, and single-spaced with a line inserted both before and after the block of text. Do not use quotation marks (single or double) to mark the blocked text.
Figures, Tables, Illustrations: All must be in electronic format and included in the body of the paper+ for the initial submission. Please do not use tabs. Use the table creation tool in your writing software. Once a paper+ is accepted, authors must provide images at 300dpi resolution uploaded individually as unique files. Should your manuscript reach the copyediting stage, you will also be asked to indicate approximately where you would like each figure to be placed in the document, using a system with a full description of and captions for any figures.
Section Headings: Use bold type for first-order section titles (i.e. Heading 1). Use type that is both bold and italic for second-order section titles (i.e. Heading 2). Use italics for third-order section headings (i.e. Heading 3). Do not indent paragraphs and begin text on the same line as third-order headings. Following Chicago Style guidelines, please capitalize the first and last words of titles and subtitles; capitalize "major" words (nouns, pronouns, verbs, adjectives, adverbs, and some conjunctions); use lowercase for the conjunctions “and”, “but”, “for”, “or”, and “nor”.
Spelling: There is no spelling style preferred (i.e. American vs. Canadian English). Consistency within the manuscript is required.
Punctuation: Consult Chicago Style guidelines
Permissions: Obtaining copyright permission for image or graphic reproductions is the responsibility of the author(s). Consult with a librarian, public institutional archivist, or similar knowledgeable person for additional support.
Citations: Use the Chicago author-date system for citations: (Katz 2004; Holmes et al. 2015; Muñoz 2016, 304-305).
Acknowledgments: Acknowledgments (if included) must appear at the end of the body of the text, before the list of references. Specific acknowledgements may be added during the copyediting stage, should your manuscript be accepted. However, we would ask that conflicts of interest and sources of funding be identified at the start of submission, either in a note to the editor or on the manuscript title page.
Footnotes: Footnotes are to be used sparingly. Do not use endnotes. Use the word processing feature for creating footnotes. Please use Arabic numerals.
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References: List references alphabetically at the end of the manuscript using Chicago (author-date) referencing style.
For more than one entry with the same author(s) and date, use letters to distinguish them, e.g. 1999a, 1999b, 1999c.
Arrange entries under a particular author's name chronologically, with the most recent listed first.
Indicate authors' full names (surname and first name).
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Example citations (organized by genre):
Journal article (solo authored):
Muñoz, Lorena. 2016. “Entangled Sidewalks: Queer Street Vendors in Los Angeles,” Professional Geographer 68 (2): 302–8.
Journal article (multiple authors):
Holmes, Cindy, Sarah Hunt, and Amy Piedalue. 2015. “Violence, Colonialism and Space: Towards a Decolonizing Dialogue,” ACME: An International Journal for Critical Geographies 14 (2): 539–70.
Book:
Katz, Cindi. 2004. Growing Up Global: Economic Restructuring and Children’s Everyday Lives. Minneapolis: University of Minnesota Press.
Book chapter (by solo author):
Klein, Melanie. 1946/1991. Notes on Some Schizoid Mechanisms. In The Selected Melanie Klein, edited by Juliet Mitchell, 175-200. London: Penguin.
Book chapter (in edited volume):
Wynter, Sylvia, and Katherine McKittrick. 2015. Unparalleled Catastrophe for Our Species?: Or, to Give Humanness a Different Future: Conversations. In Sylvia Wynter: On Being Human as Praxis, edited by Katherine McKittrick, 9–89. Durham: Duke University Press.
Conference paper:
Dyck, Isabel. 2002. "Embodied Knowledge in Place: Body, Gender, and Space in Immigration Research.” Paper presented at the Annual Meeting of the Royal Geographical Society with the Institute of British Geographers, Belfast, January.
Newspaper article:
Laura Rena Murray, “Some Transgender Women Pay a High Price to Look More Feminine,” The New York Times, August 19, 2011, sec. N.Y. / Region, http://www.nytimes.com/2011/08/21/nyregion/some-transgender-women-pay-a-high-price-to-look-more-feminine.html.
Blog post/website:
Christina Hanhardt, “Broken Windows at Blue’s: A Queer History of Gentrification and Policing,” Versobooks.Com (blog), June 14, 2016, http://www.versobooks.com/blogs/2704-broken-windows-at-blue-s-a-queer-history-of-gentrification-and-policing.
Podcast:
Camp, Jordan, Sunni Patterson, Khalil Shahid, Anna Brand, Shana Griffin, & Sue Mobley. Clyde Woods, Dispossession, and Resistance in New Orleans, Antipod (Turtle Island: podcast, 2019), https://soundcloud.com/antipodcollective/episode-01-clyde-woods-dispossession-and-resistance-in-new-orleans.
Digital map:
Jen Jack Gieseking, “AEQNY Organizations Map,” An Everyday Queer New York (website), 2021, http://jgieseking.org/AQNY/AEQNYorgsmap/index.html.
Code repository:
Nick Lally, Shaping, JavaScript, HTML, & CSS (repository), 2021, https://github.com/nicklally/shaping.
Research
Theoretical- and/or empirically-based research papers not exceeding 9,000 words inclusive of abstract, footnotes, references, and acknowledgements.
Interventions
Critical commentaries and/or observations ranging from 1,500 to 5,000 words, inclusive of abstract, footnotes, references, and acknowledgements.
Roundtables
Three or more people in a conversation, transcribed and edited for readability, ranging from 3,000 to 9,000 words. We are particularly interested in conversations that explore the contours of critical intersections which are shifting or still in formation. For instance, conversation among people engaging shared interests in a theory, method, or subject but who may be differently situated and seeking to better understand possible connections; conversations seeking to stage critical engagements between previously disparate fields; etc. Contributing authors should reach out to the editorial team with queries or clarifying questions about potential roundtables and / or include a brief cover letter explaining how you believe your roundtable submission embodies such critical intersections, although slightly longer pieces will be considered with editor approval.
Interviews
Structured or semi-structured conversational exchange that seeks to engage one or more spatial thinkers to draw out previously unarticulated, supplementary, or biographical dimensions of the interviewee’s critical thought, practice, body of work, etc. Contributing authors should reach out to the editorial team with queries or clarifying questions about potential interviews and/or include a brief cover letter explaining how you believe your interview submission embodies and extends our critical commitments. Interviews should range from 3,000 to 9,000 words, although slightly longer submissions will be considered with editor approval.
Review Essays
State-of-field reviews which explicate shifting or emerging developments across critical debates, and are limited to 9,000 words. We are especially interested in coverage of topics that do not receive multi-year or multi-report consideration in other journals.
Translations
Critical geography originally published in languages other than English and translated for English readers. The goal of this section is to create a platform for geographies/geographers from different locations and language contexts to be published within ACME and to provide access to new translations of work previously published in other languages in order to expand access to those texts. The texts will be preceded by a brief commentary (2,000-3,000 words) that contextualizes the translated text and highlights its importance for the advancement of critical geography.
Visual Analyses
Analytical visual images that require textual interpretation, including maps, photographs and images, infographics, or creative graphs. Visual work must present critical content and arguments in ways that are aligned with the scope and aims of ACME. Visuals must be accompanied by a commentary or explanatory text (500-1000 words not including references). Visual submissions are reviewed by our collective and, if accepted, published in the next appropriate issue. (Note*: we will be accepting interactive visuals at a later date.)
Creative Works
Including poetry and speculative fiction that critically explores space and place, ACME now welcomes comics and photography, including submissions using non-linear writing or fragmented disposition. Limit of 9,000 words.
Letters
What are letters if not iterative modes of written communication shared between two or more people, that blur the intellectual, contextual, personal, historical, and biographical. ACME is interested in publishing curated (deliberately selected, appropriately condensed, and edited) collections of letters that convey the fluid, collective and subjective coming together of the often fragmented character of ideas, concepts, projects, communities, individuals, critiques, disciplines, and historical moments. Submissions may range from 3,000 to 15,000 words, depending on the number of letter writers.
Performance
Performance and performance-based methods have the capacity to reveal and unsettle relationships between performer and audience, subject and object, knower and known, fixed and ephemeral, and space and time in ways that other approaches cannot. Recognizing that written formats often fail to do justice to these relational nuances, ACME is happy to consider performances submitted as videos or stills, along with a written reflection about the work ranging from 1,000 to 5,000 words.
Podcast
Podcasts are recorded, streamable audio features which use sound to explicate critical spatial knowledge and sonic landscapes that other formats may fail to adequately convey. Podcasts must be submitted with a transcript as well as a written framing statement to situate the audio material, with the total word count (including transcript and framing statement) not exceeding 15,000 words. As this is a new publishing format for ACME, please contact us in advance of submission to ensure the selection of appropriate file types and formats.
Copyright Notice
Authors agree to publish their articles in ACME under the Creative Commons "Attribution/Non-Commercial/No Derivative Works" Canada licence. To read and review the agreement, click here. In line with fair attribution and proper permissions, note any copyrights of materials cited in your paper. Do not use materials that are not fair use without express written consent.
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