Fishing For Survival in the ‘Blue Economy’
Found Poems From The Irish Islands
DOI :
https://doi.org/10.14288/acme.v21i1.2099Mots-clés :
Small-scale fisheries, environmental governance, islands, political ecology, found poems, ecopoetryRésumé
Almost three thousand islanders live on eighteen islands off the west coast of Ireland. While many of these islands are dependent on a small-scale fishing industry for survival, their fishing communities face challenges in navigating complex fisheries governance systems at local, regional, national and EU scales. Between 2018 and 2020, I engaged with Irish island fishing communities, the fishing industry and the policy environment in interrogating the political and institutional challenges faced by island fishing communities and their initiatives to manage island fisheries on a collective, seasonal basis. This collection of found poems emerged accidentally while I was analysing and writing up the research. As such, they are an unintended contribution to experimental geographies and join the recent resurgence in creative and arts-based work by geographers and social scientists. Created from the interview transcripts of research participants, the poems provide a snapshot of the complexity of the issues at play during the research period. They highlight the multiple storylines that jostle for space and visibility in the fisheries governance context. The mosaic of voices demonstrate that contestation and contradictions exist and play out not just between islanders and non-islanders, but between islanders themselves, often with no resolution. By allowing for a multiplicity of meanings to co-exist, my hope is that this collection of found poems will disturb the fixed narratives amongst those who are engaged in Irish fisheries, challenge the boundaries within which scholarly research is traditionally presented, and render the research accessible to a wide range of audiences.
Références
Brennan, R.E., and L.D. Rodwell. 2008. “Sustainable Management of Wild Irish Atlantic Salmon: Keys Found through the Looking-Glass.” Marine Policy 32 (6). https://doi.org/10.1016/j.marpol.2008.03.007.
Brennan, Ruth. 2012. “What Lies beneath: Probing the Cultural Depths of a Nature Conservation Conflict in the Outer Hebrides, Scotland.” Vimeo. Video, 5:21. https://vimeo.com/555734658.
Brennan, Ruth, and Stephen Hurrel. 2016. “Producing Seascapes.” Vimeo. Video, 25:52. http://www.vimeo.com/152585715.
Brennan, Ruth, and Michael (Mysh) Rozanov. 2020. “Managing for Diversity: Keeping Everyone Afloat in Irish Fisheries.” Vimeo. Video, 6:47. https://vimeo.com/481200883.
Bresnihan, Patrick. 2016. Transforming the Fisheries: Neoliberalism, Nature, and the Commons. Lincoln: University of Nebraska Press.
———. 2019. “Revisiting Neoliberalism in the Oceans: Governmentality and the Biopolitics of ‘Improvement’ in the Irish and European Fisheries.” Environment and Planning A: Economy and Space 51 (1): 156–77. https://doi.org/10.1177/0308518X18803110.
Britton, Easkey. 2012. “Women as Agents of Wellbeing in Northern Ireland’s Fishing Households.” Maritime Studies 11 (1): 1–22. https://doi.org/10.1186/2212-9790-11-16.
Donkersloot, Rachel, and Charles Menzies. 2015. “Place-Based Fishing Livelihoods and the Global Ocean: The Irish Pelagic Fleet at Home and Abroad.” Maritime Studies 14 (1): 20. https://doi.org/10.1186/s40152-015-0038-5.
Eshun, Gabriel, and Clare Madge. 2016. “Poetic World-Writing in a Pluriversal World: A Provocation to the Creative (Re)Turn in Geography.” Social and Cultural Geography 17 (6): 778–85. https://doi.org/10.1080/14649365.2016.1156147.
DePuy, Walker, Jacob Weger, Katie Foster, Anya M Bonanno, Suneel Kumar, Kristen Lear, Raul Basilio, and Laura German. 2021. Environmental governance: Broadening ontological spaces for a more livable world. Environment and Planning E: Nature and Space. SAGE Publications: 251484862110185.
Hurrel, Stephen, and Ruth Brennan, “Sea Stories,” (website), 2013, http://mappingthesea.net/barra.
———. 2014a. “Clyde Reflections.” Vimeo. Video, 33:12. http://www.vimeo.com/89793693.
———. 2014b. “Clyde Reflections - a Film and Audio-Visual Installation.” In Imagining Natural Scotland, edited by David Griffith, 38-51. Edinburgh and Glasgow: Creative Scotland. https://doi.org/10.5281/zenodo.6023327.
Jen, Sarah, and Megan S. Paceley. 2021. “Capturing Queer and Trans Lives and Identities: The Promise of Research Poems to Inform Stigma Research.” Stigma and Health 6 (1): 62–69. https://doi.org/10.1037/sah0000282.
Law, John. 2011. “Whats Wrong with a One-World World.” Heterogeneities. Net. http://www.heterogeneities.net/publications/Law2011WhatsWrongWithA
OneWorldWorld.pdf
Leeuw, Sarah de. 2017. “Writing as Righting: Truth and Reconciliation, Poetics, and New Geo-Graphing in Colonial Canada.” Canadian Geographer 61 (3): 306–18. https://doi.org/10.1111/cag.12395.
Leeuw, Sarah de, and Harriet Hawkins. 2017. “Critical Geographies and Geography’s Creative Re/Turn: Poetics and Practices for New Disciplinary Spaces.” Gender, Place and Culture 24 (3): 303–24. https://doi.org/10.1080/0966369X.2017.1314947.
Leeuw, Sarah de, and Eric Magrane. 2019. “Geopoetics.” Keywords in Radical Geography: Antipode at 50, 146–50.
Macken-Walsh, Áine. 2012. “Operationalising Contemporary Rural Development: Socio-Cultural Determinants Arising from a Strong Local Fishing Culture.” Human Ecology 40 (2): 199–211. https://doi.org/10.1007/s10745-012-9477-4.
MacKinnon, Iain, and Ruth Brennan. 2012. Dùthchas Na Mara-Dúchas Na Mara-Belonging to the Sea. Scotland: Scottish Association for Marine Science. http://www.mappingthesea.net/Belonging-to-the-Sea.pdf.
Madge, Clare. 2014. “On the Creative (Re) Turn to Geography: Poetry, Politics and Passion.” Area 46 (2): 178–85.
Magrane, Eric, Linda Russo, Sarah de Leeuw, and Craig Santos Perez. 2019. “Introduction: Geopoetics as Route-Finding.” In Geopoetics in Practice, edited by Magrane, Eric, Linda Russo, Sarah de Leeuw, and Craig Santos Perez, 1–13. London; New York: Routledge.
Martin, Kevin St. 2006. “The Impact of ‘Community’ on Fisheries Management in the US Northeast.” Geoforum 37 (2): 169–84. https://doi.org/10.1016/j.geoforum.2005.05.004.
Patrick, Lisa D. 2013. “Found Poetry: A Tool for Supporting Novice Poets and Fostering Transactional Relationships between Prospective Teachers and Young Adult Literature.” PhD diss., The Ohio State University. https://etd.ohiolink.edu/apexprod/rws_etd/send_file/send?accession=osu1376439323&disposition=inline
Sullivan, Sian. 2017. “What’s Ontology Got to Do with It? On Nature and Knowledge in a Political Ecology of the’green Economy’.” Journal of Political Ecology 24 (1): 217–42.
Yates, Julian S, Leila M Harris, and Nicole J Wilson. 2017. “Multiple Ontologies of Water: Politics, Conflict and Implications for Governance.” Environment and Planning D: Society and Space 35 (5): 797–815.
Téléchargements
Publié-e
Comment citer
Numéro
Rubrique
Licence
Les auteur-e-s publiant dans ACME le font aux conditions de la licence canadienne Creative Commons "Attribution/Non-Commercial/No Derivative Works". En conséquence, les auteur-e-s gardent les droits sur leur texte, ainsi que celui d'être identifié-e-s comme auteur-e-s sans limitation de date. Leur texte peut être partagé librement (soit reproduit, distribué, transmis et publié) dans les conditions suivantes :
- Attribution. La publication originale de ladite oeuvre dans ACME doit être mentionnée et, pour tout usage ou distribution, les termes de sa licence doivent être précisés.
- Non commercial. L'oeuvre ne peut être utilisée à des fins commerciales.
- Pas de travaux dérivés. À l'exception d'usages légitimes dans des buts universitaires ou critiques, l'oeuvre ne peut être altérée ou transformée. À l'exception de la première condition d'attribution à ACME de la publication originale, toutes ces conditions peuvent être levées avec la permission explicite du détenteur du copyright.
(Note: du volume 1(1) au volume 7(2), les auteur-e-s ont donné à ACME un copyright sur leur article limité à la publication dans la revue. Les auteur-e-s gardent le copyright sur leur manuscrit pour toute autre forme de publication, mais doivent mentionner la publication originale dans ACME si le texte est republié ailleurs).
Pour une publication dans ACME, les auteur-e-s déclarent que et se portent garant-e-s que
- leur article est une oeuvre originale, n'a pas été publié avant et n'est pas soumis ailleurs pour publication papier ou électronique sous sa forme finale ;
- Illes ont obtenu l'autorisation de reproduction (papier et électronique) de la part du possesseur des droits de copyright pour tout le matériau qui ne leur appartient pas, et que le possesseur est cité comme source ;
- Leur article ne contient aucun élément violant un copyright existant, le droit d'un tiers, ou quoi que ce soit de nature obscène, indécente, calomniatrice ou en quelque façon illégale ; et, qu'en l'état de leurs connaissance, leur article n'empiète sur les droit de personne.
- Ils ont la charge d'indemniser les rédacteurs et éditeurs d'ACME pour toutes poursuites afférentes à un non respect desdites garanties, indemnisations comprenant l'aide justiciaire et les autres dépenses encourues.
- Dans le cas d'un article avec des multiples auteur-e-s, illes ont obtenu l'accord de tou-te-s les auteur-e-s pour ce contrat d'édition, qui les lie ; et que tou-te-s les auteur-e-s ont lu et approuvé le contrat ci-dessus.
