“Latinx Geographies: Opening Conversations” Commentary

Authors

  • Mariana Peñaloza Morales University of Minnesota

DOI:

https://doi.org/10.14288/acme.ea6ozd-2696

Abstract

no abstract

Author Biography

Mariana Peñaloza Morales, University of Minnesota

Geography, Environment & Society

References

Ariza, Mario Alejandro. 2020. Disposable City: Miami’s Future on the Shores of Climate Catastrophe. New York: Bold Type Books.

Cahuas, Madelaine C. 2024. “Unsettling Black, Indigenous and Queer Latinx Senses of Place and Radically Remapping Latinx Geographies of Belonging in the City.” Annals of the American Association of Geographers 115 (2): 478–97. doi:10.1080/24694452.2024.2431329.

de Hinojosa, Alana. “El Río Grande as Pedagogy: The Unruly, Unresolved Terrains of the Chamizal Land Dispute.” American Quarterly 73, no. 4 (2021): 711-42. doi:10.1353/aq.2021.0052.

Dunn, Marvin. 1997. Black Miami in the Twentieth Century. Gainesville: University Press of Florida.

Latinx Geographies Collective, Madelaine Cristina Cahuas, Guillermo Douglass-Jaimes, Cristina Faiver-Serna, Yolanda González Mendoza, Diego Martinez-Lugo, and Margaret Marietta Ramírez. 2023. “Latinx Geographies: Opening Conversations.” ACME: An International Journal for Critical Geographies 22 (6):1462-89. https://doi.org/10.14288/acme.v22i6.2286.

McKittrick, Katherine. 2006. Demonic Grounds : Black Women and the Cartographies of Struggle. Minneapolis: University of Minnesota Press, 2006.

McKittrick, Katherine. 2021. Dear Science and Other Stories. Durham: Duke University Press.

Moraga, Cherríe y Gloria Anzaldúa, eds. 1981. This Bridge Called My Back: Writings by Radical Women of Color. Watertown: Persephone Press.

Pelaez Lopez, Alan, “The X in Latinx is a Wound, not a trend,” Color Bloq (blog), September 2018, https://www.colorbloq.org/article/the-x-in-latinx-is-a-wound-not-a-trend.

Vazquez, Alexandra T. 2022. The Florida Room. Durham: Duke University Press.

Photo of the Treaty Truckhouse in golden afternoon light with a burning campfire and large ceremonial drum on display in the foreground. The drum, painted by Mi'kmaw artist Alan Sylliboy, is decorated with intricate Mi'kmaw symbols, a scene of fists and flags raised, and the words "Stop Alton Gas."

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Published

2026-02-13

How to Cite

Peñaloza Morales, M. (2026). “Latinx Geographies: Opening Conversations” Commentary. ACME: An International Journal for Critical Geographies, 25(1), 69–75. https://doi.org/10.14288/acme.ea6ozd-2696

Issue

Vol. 25 No. 1 (2026): Research Articles, Translation, and Creative Work

Section

Translations

License

Copyright (c) 2026 Mariana Peñaloza Morales

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